#an indie debut feature with vibrant colors | Explore Tumblr posts and blogs

letterboxd · 3 years ago

Photo

Halfway—2021.

Two Filipino indies lead the Letterboxd Top 25 at the 2021 halfway point, as the coronavirus pandemic continues to shake—and reshape—the film industry. Jack Moulton and Gemma Gracewood take stock.

Cleaners, Glenn Barit’s photocopied, hand-colored, stop-motion feature about high schoolers in the northern Philippines city of Tuguegarao, is the highest-rated 2021 film on Letterboxd at the halfway point of the year, with a weighted average of 4.3 out of 5 stars. Ode to Nothing, by Barit’s fellow countrywoman Dwein Baltazar, is in second place, and Shaka King’s two-time Oscar-winner Judas and the Black Messiah rounds out the top three.

Last year was a transition year in many ways: for the world, a pandemic-led move away from cinema screenings to at-home virtual theaters and streaming-first releases; for Letterboxd, a move away from US-led release dates in our annual calculations. This has opened the way for notable films from around the world to be included on our lists far sooner than their oft-delayed American releases (which had resulted in, for example, Brazil’s Bacurau not making the 2019 Letterboxd Year in Review).

Both of these factors help to explain why we have two Filipino independent features leading our midway Top 25. “Cleaners and Ode to Nothing are exactly the kind of small Filipino films that would have struggled to get national distribution in theaters in the before times, despite the buzz that they garnered,” writes Manila-based film critic Philbert Dy in his companion essay to the Top 25, in which he explains how the Philippines’ particularly long and harsh Covid lockdown has “led to smaller, quirkier films being made accessible to more Filipinos, whose consumption of cinema were once beholden to the whims of conglomerate cinema owners”.

‘Cleaners’, written and directed by Glenn Barit.

When we shared the good news with him, a delighted Cleaners director Glenn Barit specifically shouted out his nation’s film lovers: “It is a testament to a vibrant Filipino film community still actively watching and supporting films of our own. Especially with a film like ours set in a small city far from the capital, it is amazing to read in reviews that it resonates with a lot of people (sometimes even outside our country).”

From this year forward, our mid-year rankings include films that have been released in any country, with at least a limited theatrical, streaming or video-on-demand run, and a minimum of 1,000 views on Letterboxd. These new rules allow us to celebrate the love for Katie Found’s lesbian romance My First Summer—released in Australia in March—without having to wait for the US to catch up. It joins indie highlight Shiva Baby, Michael Rianda’s animated hit The Mitchells vs The Machines and Heidi Ewing’s swooning romance, I Carry You With Me, on the Top 25 in putting young, queer characters on the screen.

‘My First Summer’, written and directed by Katie Found.

As expected, many films on the list have suffered pandemic delays. We use premiere dates to mark the year of record for each film, so A Quiet Place Part II will always be attached to its March 2020 red-carpet screening, despite the fourteen-month hibernation that followed. This is Not a Burial, It’s a Resurrection by Mosotho director Lemohang Jeremiah Mosese screened at 2019’s Venice Film Festival and had a very long festival run until Mubi picked it up for streaming in the UK this year. The film’s lead, Mary Twala, passed away a year ago, July 4, 2020 (see her also in Beyoncé’s Black is King). Gabriela Cowperthwaite’s Our Friend—one of the eight women-directed films on the list—went to TIFF, London, and AFI before being released this January without screening once in 2020.

More than half of our Top 25 films are directed by BIPOC directors, nearly a dozen of whom are of Asian descent, illuminating a key benefit of the new eligibility system. Challenging the US for the most represented country is India with five films in the list, taking advantage of Amazon’s distribution deal and creating greater accessibility for Hindi, Tamil and Malayalam-language films at home and abroad.

‘Red Post Post on Escher Street’, written and directed by Sion Sono.

Also among the Asian directors making the list are legends Tsai Ming-liang and Sion Sono. Tsai’s Days recently received a limited run in Spain (it will be brought to the US by Grasshopper Films this August), while Sono’s Red Post Post on Escher Street had a quick VOD run in February courtesy of Japan Society Film.

Produced in the US and directed by Japanese-Brazilian Edson Oda, Nine Days qualifies due to an exclusive run at the Singapore arthouse theater The Projector in May—it’ll be released in the US later this month. Finally, Asian American director Jon M. Chu makes the list with his adaptation of Quiara Alegría Hudes and Lin-Manuel Miranda’s In the Heights. We are also happy to see a couple of Letterboxd members in the halfway 25: Cleaners’ Barit and Chad Hartigan (Little Fish). If you’d like to discover more 2021 releases by our member-filmmakers, we have a list for that.

The Top 25 is, of course, solely made up of narrative feature-length films. On the documentary front, Flee is currently the highest-rated non-fiction feature of 2021. Neon is expected to release the film in the US for an awards run later this year, but it’s eligible now due to a release earlier this month in director Jonas Poher Rasmussen’s homeland of Denmark.

‘Flee’, directed by Jonas Poher Rasmussen.

Fellow Sundance Film Festival winner Summer of Soul (or… When the Revolution Could Not Be Televised) is currently the year’s highest-rated documentary in general, but was 48 hours shy of eligibility for the halfway list, releasing in theaters and on Hulu on July 2. The runners-up are: Sir Alex Ferguson: Never Give In, directed by the notorious football manager’s son; David Attenborough’s The Year Earth Changed, directed by Tom Beard; and rock-docs TINA and (in his doc-directing debut) Edgar Wright’s The Sparks Brothers.

In other categories, It’s a Sin is the highest-rated narrative miniseries at the midway point, Can’t Get You Out of Our Head by Adam Curtis is the highest-rated documentary miniseries, Bo Burnham: Inside is the highest-rated comedy special, Blackpink: The Show is the highest-rated music film, Save Ralph is the highest-rated animated short film, and Four Roads, by Alice Rohrwacher, is the highest-rated live-action short film.

With Cannes underway and more festivals to come, it is still a long road to the 2021 Year in Review for these films—but given the journey most of them have already travelled, it is pleasing to celebrate the filmmakers’ success. Ang galing ninyong lahat!

On top of its meticulously bonkers production process, our highest-ranked film, Cleaners, had a long journey to its first theatrical distribution, and it’s far from over. The film premiered at the QCinema International Film Festival in October 2019, to raves from Filipino Letterboxd members, and it still holds a firm grasp on its high rating nearly two years later. Ultimately, the first non-fest release for Cleaners occurred when Singapore’s Asian Film Archive screened it for a week in April, thus qualifying the film for our 2021 lists.

‘Ode to Nothing’, written, directed and edited by Dwein Baltazar.

Ode to Nothing has been on an even longer journey. The film also debuted at the QCinema Festival, but in 2018, and finally arrived on local streaming services iWantTFC and KTX.PH earlier this year.

Being celebrated by their countryfolk on Letterboxd is one thing, but how can those of us outside the Philippines see these top two films? Perhaps we need to give our local distributors a nudge. As Cleaners director Barit explains: “We are a team of three first-time filmmakers and producers. We are still learning the ropes of film distribution and marketing—and it’s been very hard. I just want to shamelessly say that our doors are wide open for distribution and acquisition; we are not yet available on any streaming platforms locally or internationally [winks nervously].”

youtube

See the Halfway 2021 list on Letterboxd and watch the Top 10 countdown on YouTube

Follow Jack and Gemma on Letterboxd

#letterboxd #letterboxd top 25 #letterboxd 2021 #cleaners #filipino film #philippines cinema #filipino cinema #glenn barit #sion sono #tsai ming liang #celine sciamma

31 notes · View notes

taste-in-music · 5 years ago

Text

My Favorite Albums of 2019

It’s that time of the year again folks! 2019 was year filled with exciting new releases by some of my all-time favorite artists being dropped left and right at an overwhelming rate. Not only that, there were so many debut full-length projects from artists that had been simmering in the EP zone for years, or had otherwise gotten onto my radar from their shorter efforts in years prior. Needless to say, I found this year to be even more enjoyable and enthralling than last year, and last year was pretty great. I’m going to stop rambling. Like last year’s list, this is in no particular order with the exception of the final album, which is my favorite album of the year.

Dedicated by Carly Rae Jepsen: Part of me was nervous for this album’s release. How could Queen Carly Rae possibly follow up the modern pop masterpiece that is E•MO•TION? However, my nervousness was sated when I heard the single “Now That I Found You,” which, I’m going to say it, is the best pop song of the year. Hands down, no competition even came close. It slams every single time I put it on. The whole album is a lot of fun to listen to, from the glimmering sugar-rush synths on the opening track “Julian” to the playful Popeye sample on “Everything He Needs.” If for any reason you’re still a Jepsen skeptic stuck on her being the “Call Me Maybe Girl,” give this album and E•MO•TION a try and you will realize just how much she has to offer.

My Top Tracks: Now That I Found You, Party For One, Happy Not Knowing

Heard It In A Past Life by Maggie Rogers: This album dropped in January and it’s safe to say it was my first favorite album of the year. I’d been counting down the days to this since falling in love with Now That The Light Is Fading early last year. I made an entire post reacting to this album, and while some of my thoughts have changed since then, I can still say that this project has an array of great folk-pop songs with excellent vocals and lush production. Classics like “Alaska” are always fun to return to, but the deeper cuts are what really shine on this project. The bounciness of “The Knife” cements it as an essential Summer bop, “Say It” is an achingly relatable and sensually delivered unrequited love song, the fluttering opening chorus of angels on “Retrograde” gives me chills every time, and “Back In My Body” reduces me to an emotional wreck.

My Top Tracks: The Knife, Retrograde, Back In My Body

Sucker Punch by Sigrid: Sometimes you just need to listen to something that will make you happy, and this album offers joy in spades. Sigrid’s vocals range from fleeting and emotional to raspy, but are always charming. The production is vibrant and colorful, from the flurry of strings that open “Sight of You” to the splashy sound effects that pepper “Business Dinners” or that giant, stomping chorus on “Mine Right Now.” The hooks on this album are catchy as ever, crawling their way right into your brain and making a home there in the best kind of way. Sigrid is such a reinvigorating presence in the pop world, and while I do wish that she could have made more of a splash stateside, seeing her European success gives me hope for the future.

My Top Tracks: Sight Of You, In Vain, Don’t Feel Like Crying

Keepsake by Hatchie: If I had heard Hatchie’s debut EP Sugar & Spice last year, I’m sure that it would’ve made it onto my year end list. Thankfully, this year we’ve got an album, so I can continue to gush about Hatchie and give her the notoriety she deserves. Her vocals are filled with genuine, love stricken euphoria as they drift over fluorescent, guitar driven soundscapes. Listening to this album feels like floating away on cotton candy clouds, it’s a sugar rush of dreamy indie rock that will sweep you clean off your feet.

My Top Tracks: Stay With Me, Without A Blush, Her Own Heart

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? by Billie Eilish: Listen to this thing with a pair of really good headphones and you’ll be in for a whole experience and half, the production is amazing. Not only that, it’s creative. Take the vocal warping on “xanny” and “bad guy,” or the knives scraping along “you should see me in a crown,” or the sample of a dental drill used on “bury a friend.” (The only exception to this is that first track where she takes out her Invisalign. Those slurpy sounds make me cringe every time.) The rest of the albums is pretty great though. Billie Eilish and Finneas O’Connell went and crafted one of the most lyrically tight and sonically textured pop albums this year had to offer, and for that I have nothing but respect.

My Top Tracks: when the party’s over, all the good girls go to hell, bury a friend

Jade Bird by Jade Bird: Jade Bird has been one of my favorite up-and-coming artists of the past year or so, dropping not only the wonderful Something American EP but also a slew of firecracker singles in anticipation for this album. This project contains not only rock bangers that showcase the firepower and grit in Bird’s voice, (“Uh Huh,” “I Get No Joy,” “Love Has All Been Done Before,”) but also softer, somber ballads that allow her lyricism to shine, (“17,” “If I Die.”) This album is a strong debut that showcases not only promise, but prowess as well.

My Top Tracks: Uh Huh, Love Has All Been Done Before, I Get No Joy

Pang by Caroline Polachek: This album transports me to another plane of reality, melding frosty art-pop soundscapes with glistening synths and captivating melodies. Polachek’s vocals are some of the most expressive and impressive of the year, gliding through runs and jumps with ease. Each song feels like its own little world, whether it be the wistful seas of “Ocean of Tears,” the flitting pianos on “Go As a Dream,” or the funky groove of “So Hot You’re Hurting My Feelings,” the most instantly addictive song of the year.

My Top Tracks: So Hot You’re Hurting My Feelings, Hit Me Where It Hurts, Look At Me Now

Cheap Queen by King Princess: Everything about King Princess’s music and aesthetic is so self-assured and cool that I feel slightly unworthy of being in her presence. That doesn’t mean that this album is devoid of relatability, however, as the lyrics still touch on themes of self consciousness, (like on the opening track, “Tough On Myself,”) and the trials and tribulations of relationships, (”Prophet,” “Ain’t Together.”) The production on this album meshes King Princess’s modern feel with vintage flourishes, such as old vocal samples or record crackles, that come together to give the record a sense of timelessness.

My Top Tracks: Tough On Myself, Cheap Queen, Hit the Back

Cuz I Love You by Lizzo: From the very first note of the very first song of this album, you know that Lizzo is putting in 1000%. Can we just sit back and thank the powers of good for allowing us to be in her presence? We truly don’t deserve her. This album has everything, from empowerment anthems, (”Like A Girl,” “Tempo,”) to heartbroken ballads, (the title track, “Jerome,”) to roof-raising bops, (”Juice,” “Exactly How I Feel.”) Every element of this project, from the vibrant production to the powerful vocals to the lyrics, emulates such a sense of confidence and love that by the end of each listen I have no choice but to stan both Lizzo and myself.

My Top Tracks: Cuz I Love You, Juice, Jerome

Atlanta Millionaires Club by Faye Webster: This album is one of the most charming listens of the year, I heard the very first line of the very first song and fell head over heels in love. Faye Webster’s tear-stained R&B-infused folk pop walks the line between catchy and melancholic, joyful and melodic, just perfectly. “Kingston” gets my award for dreamiest song of the year, I can’t think of any other song that is able to put me at ease faster. Whether she’s lamenting about her best friend being her dog or letting Father jump on a track to deliver the chillest rap verse ever, she’s got something you’ll love up her sleeve.

My Top Tracks: Kingston, Jonny, Room Temperature

Norman Fucking Rockwell! by Lana Del Rey: As soon as I heard “Mariner’s Apartment Complex” last year, my expectations for this album skyrocketed through the roof. Needless to say, this album didn’t disappoint, and is in my opinion Lana’s strongest work to date. Norman Fucking Rockwell! features some of the most mature and sharp songwriting, beautiful performances, and sweet melodies of her whole career. The title track works like a diss track, as Lana roasts the subject in question with beautiful eloquence. The lilting syllables on the chorus of “Bartender” allow the song to nestle deep in your brain and stay for a while. The atmosphere of the album reminds me of a cool day in early September, driving down the coastline of rural California, and I adore it.

My Top Tracks: Norman fucking Rockwell, Cinnamon Girl, Mariners Apartment Complex

Don’t Feed The Pop Monster by Broods: What a fun and refreshing listen this turned out to be! Whether it’s with a Summery synthpop jam on “Peach,” the 90s-eque grunge of “Old Dog,” or the heartbroken pleading on “Why Do You Believe Me?” Broods always deliver. While the sound of this project is a bit all over the place, that doesn’t mean that it isn’t cohesive, as it is grounded by the creative force that is the Nott siblings. If you’re on the hunt for some pop that’ll keep you on your toes, then this should be right up your alley. (Also, get some good headphones, wrap yourself up in a fuzzy blanket, and really take in “Life After.” You won’t regret it. That song continuously brings me to tears. Just beautiful.)

My Top Tracks: Peach, Sucker, Life After

Practice Magic and Seek Professional Help When Necessary by Tōth: I think I’ve finally found an album that can finally help define as “warlock music.” I stumbled across Tōth due to his involvement in the band Rubblebucket, (whose song “Fruity” made my favorite songs of the year list last year,) and what a hidden gem his music turned out to be. There’s a kind of sweet peacefulness that inhibits this album that always keeps me coming back for another listen. The lyrics follow a painful breakup and the healing process after, and the tone of the music wonderfully matches the fragility of that state of mind. The instrumentals are soft and somber, but also have some unique elements sprinkled in, (take the trumpet solo on “No Reason” or the clip-clopping groove on “Copilot.) If you need an album to put on to just unwind, give this one a try, I really love it.

My Top Tracks: Copilot, No Reason, Picture Of You

Good At Falling by The Japanese House: Let’s contextualize my love for this project. When I heard the single “Follow My Girl” last year, it literally made my jaw drop with its beauty. Now, it’s not even my favorite song from this album. The plucky guitars on “You Seemed so Happy” gets me smiling from the very first chord, and the rhythmic rush that follows each chorus in “Wild” makes my heart skitter. Amber Bain’s vocals are coated in their signature layer of slick vocoding, allowing them to drift over the icy soundscapes with ease. Just lovely.

My Top Tracks: Follow My Girl, We Talk All The Time, You Seemed so Happy

LÉON by LÉON: And here we have it folks, my favorite album of the year. After years of only releasing EPs, LÉON finally delivered her first full-length project, and it did not disappoint in the slightest. This album’s got it all, both the ever-bouncy bops and the heartbroken ballads that make me miss a relationship that isn’t even mine. LÉON's vocals are as warm and smoky as ever, the melodies are instantly catchy, and the lyrics are to-the-point yet endlessly effective. “Hope Is A Heartache” discusses working through possessive feelings following a breakup, and hits like a gut punch every time. Her voice shines on the “Cruel To Care” voice memo, where she sings in one take over a simple plucked guitar. Other favorite moments include the airy, vocoded “Pink,” (an excellent unrequited love song that tunes into my clownery,) and the doo-wop “ooh-woo”-ing add-libs on “Baby Don’t Talk.”

My Top Tracks: Baby Don’t Talk, Falling, Pink

Also, if Saved by Now, Now had come out this year it would be #1 on this list.

What were your favorite albums of 2019? Did you listen to any of these albums? Leave your recommendations and thoughts down below.

624 notes · View notes

mariosgames436-blog · 6 years ago

Text

50 Games Like Super Mario Kart For Xbox One

Unwind on a couch with your friends and race against every other in epic nearby competitions. According to Phil Spencer himself, he admits that Nintendo has maybe the strongest first-party genre of games out of every organization.

It is game play components and side scrolling action became a video game staple for years as other businesses sought to emulate it, and hoped to capture some of it is success.

Players can appreciate a seemingly endless provide of inventive Mario levels from players around the world. Super Mario Games ! Facebook.comSuper Mario Games ! 732 likes. Hi individuals ! I am not Nintendo, sorry but just a fan of Nintendo ! In Remix 10, you will challenge 10 very short courses in a row. I've discovered that the trigger has a mechanism limitation that does not permit you to spam quick enough in those circumstances where you need to z tech out of a combo. Start this version of the game by choosing your character and only then can you head out into Bowser's world on your adventure! If you have somehow avoided the Sonic franchise all these years, you may discover this much more freeform approach to level style refreshing. It took digital entertainment away from the era of high scores and introduced us to the thrill of jumping on enemies, collecting coins, and saving a princess. It was as if I stepped into a portal toI am just lost for words. The spirit of Super Mario 64 and Super Mario Sunshine lives on in this game. Runbow was created by Canadian indie group 13AM Games as their debut title, releasing it on 27 August 2015 in North America, 3 September 2015 in Europe, and 23 October 2015 in Australia. Super Mario Land 2 was such an improvement that it essentially rendered this first try at transportable platforming unnecessary. New Super Mario Bros. Whilst I’m not certain I can contact any of the games in the series really fantastic, what tends to make Mario Party fun is its selection. Back in 70’s, Atari and Nintendo had been the large names of the gaming world. This is changed following 40 years. The console must be shipped from/sold by Amazon to be eligible for this promo.

As players improve, their Miis’ ability levels will improve, so that they can see precisely how much much better they’ve turn out to be. I adore how The games have progressed. I purchased myself a new 3DS for Christmas.

Numerous years later, the shadow of darkness is spreading across the land and Jazeta must once once more take up his arms to save his father and defeat Dirth once once more. The music is phenomenal. I recommend that everybody use a headset to really appreciate it. The Nintendo Gamecube was the first console system released by Nintendo in the new millennium. Onrush is an upcoming racing video game created by Codemasters and published by Deep Silver for PlayStation 4 and Xbox 1. There are also some brand-new courses, a new playable character, and a new feature that lets you listen to your preferred music whilst you play! 3 had already improved, but it also appears much much more colorful and vibrant thanks to the Super Nintendo’s improved graphics. The most apparent distinction with this new DS version is that you can now manage Wario, Yoshi and Luigi in the game, as well as just Mario. 2 (our Lost Levels) as well hard. Well, this really worked out well. In Japan, it was Doki Doki Panic, and Nintendo re-skinned it with Mario characters for a Western release following fearing that we would discover the actual Super Mario Bros. The game and goods of the business are not a bad concept, they both are keeping every other relevant to the marketplace. Inspired by the distinctive and breath-taking environments of Northern Scandinavia,Unravelis a visually beautiful, physics-primarily based puzzle platformer. Even the best minigames do not have a ton of depth, but they get a pass for offering up a couple of moments of fun that you only see sometimes.

New Super Mario Bros. Wii is also the first Super Mario game with simultaneous multiplayer choices, where you can play as Mario, Luigi, or Toad.

1 note · View note

nprmusicwnyc · 4 years ago

Text

Madeleine Mayi Is a Rising Indie Rocker With a Penchant for Sad Songs [Q&A]

Santa Barbara-raised, Madeleine Mayi, is a rising indie rocker with a penchant for sad songs. The young songwriter began releasing music in 2017 with her debut EP, the Mk.Gee-produced, Just the Six of Us. Since then, Mayi has performed a 35-date tour across the country, won a songwriting contest which sent her, all expenses paid, to England, and released the entirely self-made follow-up 2018 EP, "shy".

Released on Valentine’s Day, Mayi returns to music with her latest track, “love me.” A plea for unconditional love during a particularly difficult period of her life, “love me” reveals Mayi at her most vulnerable. To the songwriter, “love me is about learning to love yourself in the dark times - the song is meant to be a spot of light in the darkness.” Blending fleeting moments of optimism with honest, heartfelt ballad construction, “love me” is a quiet masterpiece. For fans of Daughter and Phoebe Bridgers, the track features raw, lo-fi guitar and subdued vocals with minimal hints of psychedelia.

We had a chance to talk to Mayi about her upcoming debut album, her inspirations.

NPR: I was a big fan of your last project, the self-produced "shy" EP. What was the process of putting together “love me?” Did you work alone or collaborate with anyone?

Madeleine Mayi: "love me" is actually the first song that I have ever released that I didn't write all on my own. I wrote this song with my homie Matt DiMona who I love very much. I am usually a solo flyer, but for this upcoming project, I wanted to stretch myself creatively and try something I hadn't done before. This is the only song on the record that I wrote with someone else. I also worked with my good friend Dani as a co-producer on "shy" and on "love me" as well.

I love how you described the single, “love me,” as being about “learning to love yourself in the dark times.” Is this a theme we can expect to see across the upcoming album as well?

Yeah - that is definitely a narrative throughout the album, but the overall themes of the album are love and loss. The overarching story is about a character losing someone close to them and responding to it. "love me" is a song towards the end of the record where the character has gone through the worst of their grief and finally decides to be open to love again; the first place to start is with yourself.

Which track on your upcoming album are you most excited about and why?

Hm, I don't know. I’m excited because I am getting a little more into the rock corner of music and am excited to release those tracks… but right now it's gotta be "love me."

It seems that the colors and aesthetics you choose to accompany each project are very deliberate. From your early tracks having black-and-white art to "shy" featuring these vibrant oranges and pinks. How important are visuals to your music?

Visuals are very important to my music but I think that attitude has developed over time. I worked with a friend who I consider a visual genius on "shy", and she taught me to appreciate that angle and use it in a way that expands my vision in a different way. "shy" was lighter because the textures of the record were very simple (on purpose), so it felt right to fill in some of that negative space with color. With “love me,” the visuals are darker and more lonely feeling, which very much reflects the narrative of the record. I actually gain a lot of my inspiration from visual art - Barbara Kruger and Rothko are good examples. Music has always been my go-to medium, but all art forms inspire me.

Why did you choose Valentine’s day to release “love me?” Is there any significance to it?

There’s actually a lot of significance. My whole album is based on my Valentine's Day in 2019. I was supposed to play a show that night, but a few days before a family friend unexpectedly passed away. Her funeral ended up being on Valentine's Day in the morning, and I was considering canceling the show but my mom convinced me not to. It ended up being one of my best shows ever. It was just the craziest day of highs and lows… So yeah, this whole record is based on a lot of what I felt on that day.

Who are some artists that have really inspired you while working on this upcoming project?

I think this single is the first song where I feel that I have really arrived at my sound. I don't know exactly how to describe it, but I think a lot of this has been brewing inside for a while and now it's finally coming out. For this record, I have been really inspired by The White Stripes, The Stones, Snail Mail, Phoebe Bridgers, etc.

Who are your Ones to Watch?

My friend Erez is killing and my friend Jessi Mason as well. I think Beck Pete is rad and also my friend Hong Kong Boyfriend. Ginger Root, and Hayden Everett.

https://www.youtube.com/watch?v=biGxuN1gABw

0 notes

onestowatch · 4 years ago

Text

Fall Down the Rabbit Hole with Aibai on Her New Self-Titled EP

23-year-old Minneapolis producer Aibai has just unveiled her debut EP. The self-titled, four-track release demonstrates her ability to create beautifully introspective music, rich in pearlescent soundscapes and slow-paced, hazy beats. Her subtle yet powerful production creates an intimate listening experience, welcoming us into her indietronica meets dream-pop world.

Starting off the EP is “Glow” featuring Swims. Melancholic yet uplifting, the track glistens with entrancing instrumentation and sultry, muted synths. The graceful song floats along effortlessly, with delicate vocals and melodic flourishes. Swims also features on “Open Up,” another mellow tune which emits a cathartic feeling, making you want to simply unwind.

Reminiscent of Flume and Clairo, Aibai has succeeded in colliding the indie and electronic worlds together. “More Than Friends” with Colby Hansen highlights this amalgamation of genres, adding an extra layer of jazz-soaked guitars and soulful vocals. The track screams warm summer evenings and long drives.

“Feel Again” featuring Mønty C exudes a colorful and vibrant atmosphere, with jangly drum beats and swirling synths blending to create a heady concoction of sounds and textures.

Aibai chose a solid array of vocalists on the EP, all of which add their own stamp, while maintaining a level of cohesiveness throughout the four-tracks. Despite their excellence, it’s really Aibai’s production skills that are at the forefront of this EP and ultimately keep us coming back for more. This young producer is certainly making a name for herself with this debut release and we’re excited to follow her steps as she forges ahead.

#Aibai #Indie #electronic #EP

0 notes

torontotravelblog · 4 years ago

Text

The 12 best events in Toronto

From the Toronto International Film Celebration to Satisfaction, the best events in Toronto show the city knows how to celebrate

If planning a visit to Canada's biggest city, prepare for your travel plan to be as varied as the city itself and see to it to time your journey to accompany some of the most effective events in Toronto

One of North America's the majority of vibrant centers, with plenty of fun things to do all the time, it is not a surprise that nearly 3 million people call Toronto residence. That number actually increases when consisting of the surrounding commuter cities that comprise the better Toronto location. That's a citizenry that is rather choosy when it pertains to the arts, nightlife and also restaurants scene that comprise the spirit of the community-- which indicates Toronto is a city of lots of film, theatre and food-related occasions that are extremely influenced by the modern individuals that live right here. Think about the very best occasions in Toronto as your possibility to example a slice of life from far nations without really taking a trip there.

And, even though this Canadian destination relaxes under a thick layer of snow for a 3rd of the year, worry not: the energy never dips. Take part on the fun.

Finest occasions in Toronto.

1. Toronto International Movie Festival

When: September

The "white whale" of city events is the Toronto International Film Festival (TIFF), among the globe's largest and also liveliest movie-related fests. For 10 days, 450,000 movie followers descend on the city to binge-watch debuting flicks as well as slip the red carpet for A-listers. Some consider it the most significant film celebration on the planet, with several previous TIFF hits (12 Years a Servant, Slumdog Millionaire, American Elegance, Spotlight) at some point nominated for and winning Oscars. The most effective feature of TIFF is that the spotlighted categories range from documentary to foreign films and Hollywood hits: there's something for every sort of buff. Pro-tip: unlike other movie celebrations, any person can participate in TIFF. Yet high-profile flicks as well as premium testings (prime celeb-spotting possibilities) sell out early, with first dibs offered to those who acquire bundles. To get involved in a buzzy best, purchase your tickets ASAP.

2. Pride Toronto

When: June

Every year in June, Toronto hosts regarding 2.5 million people taking part in the city's Satisfaction celebrations-- the biggest LGBTQ+ pride celebration in The United States and Canada. This month-long arts and also cultural occasion is one of Canada's biggest and also most significant throughout the year and also it concentrates on celebrating sex and also sexual variety in myriad different methods: from family-friendly tasks to obstruct parties to drag efficiencies. If visiting during Satisfaction, Toronto's Gay Village in the Church Road community is the location to be. On the last day, the famous and wonderful Satisfaction Ceremony eats Yonge Road with marching groups and also vivid floats representing the LGBTQ+ area. That itself has actually been a significant event for 39 years currently. With bunches of viewers anticipated, you must get here early to get a prime viewing place. Ensure to bring sun block as well as water along with you.

3. JFL42 Funny Event

When: September

Given the city's history of churning out funny individuals (believe Mike Myers, Catherine O'Hara, Samantha as well as Lorne Michaels, to name just a few), it's no surprise that Toronto organizes the yearly JFL42. This 10-day gut-busting funny occasion brings out big names like John Mulaney, Ali Wong, Sarah Silverman, Margaret Cho, Wanda Sykes as well as Jim Gaffigan. As opposed to selling specific tickets, the event provides passes that will certainly enable you to capture one or more of your preferred headliners and hilarious acts. This year, expect to see popular comedians like Joe Rogan, Hannibal Buress as well as Chris D'Elia. Those that binged Netflix hit Workin' Moms will appreciate the planned event that will splash behind the curtain information from the program.

4. Toronto Edge Event

When: July

For a dosage of edgy and speculative theater, go to the well-regarded Toronto Fringe Celebration, a grassroots indie theater fête. It includes more than 155 uncensored programs touching every genre: from a mash-up of newly-penned plays to dance productions as well as musicals. This celebration has actually been going strong given that 1989 and also runs in greater than 30 places throughout the city. Admission prices are purposefully maintained affordable in an initiative to make theatre and the arts available to all. What's special is that the jobs are "un-juried:" no-name as well as recognized musicians have an equal shot at being included. FYI: the co-creators of the Broadway hit Come From Away had their very first luck right here.

5. Warm Docs Film Event

When: April/May

During the springtime, Toronto sees an increase of visitors coming by to absorb the largest documentary festival in the continent. The Hot Docs Festival includes over 200 movies as well as it's one of one of the most helpful as well as enjoyable occasions that occurs all year. Testings are scheduled at various theaters across the city as well as with docudramas that vary from ecological calls to action to evaluations of social justice issues to a lot more creative experimental docudramas, there's something for every type of film nerd. Pro suggestion: do not rush out of the theatre after the credit reports as, oftentimes, the supervisor is waiting backstage for an audience Q&A.

6. Canadian National Exhibition

When: August/September

For two weeks towards the end of summer season, an area near Toronto's waterfront ends up being a wacky as well as action-packed carnival. Both Torontonians and travelers invest their days aligning for rides, ogling aircrafts do tricks overhead at the airshow and, a lot of significantly, consuming the craziest of the festival's cooking developments. The Canadian National Exhibit (known as the CNE or "The Ex lover") has actually become a competition of sorts for vendors to produce one of the most outrageous deep-fried deals with. Up until now, the CNE has presented us to the "cronut" (a not likely cross in between a croissant, donut and also burger), packed Doritos (who recognized it was feasible?) and strawberry steak sandwiches (in fact ...). Select an open mind and possibly save the calorie counting for one more day.

7. Toronto Caribbean Circus

When: July/August

New Orleans has Mardi Gras, but Toronto has Caribana: a month-long celebration of Caribbean music, food as well as celebration that has more than a million festival-goers gathering to events in the city. When the festivities are in full swing, all edges of the community are celebrating Caribbean culture as well as Canadian variety and also freedom: whether it's feasting on Caribbean specials to dance offs between costumed kings and queens to tent talks hosted by storytellers, comics as well as various other orators. The celebration peak is the Grand Parade, when masqueraders flaunt their colourful costumes (assume shimmering swimwears, sophisticated makeup and brightly-colored feathery headpieces) on a 3.5-kilometre march along Lake Shore Blvd.

8. Preference of the Danforth

When: August

Taste of the Danforth is the supreme food festival in Toronto as well as, in a city that likes to eat, that's saying something. For three days, hungry hordes flock to "Greek Town" on Danforth Opportunity (known locally as "The Danforth") to delight in Greek specials. Toronto so occurs to be the house of the third-largest Greek community beyond Greece itself, a truth that, per se, makes this a must-attend festival yearly. Food terminals line the street, offering souvlaki, smoked lamb as well as moussaka, and also regional dining establishments offer sampling food selections for a simple $6 so site visitors much better come prepared to pig out at greater than one. Just know prior to you go: this tasty celebration is attended by 1.6 million ravenous foodies as well as has been named Canada's biggest street event, so it's going to be a feeding frenzy.

9. Scotiabank Toronto Waterfront Marathon

When: October

Plenty of folks don't understand that every year in late fall, Toronto is the host of a first-rate marathon that brings top-level professional athletes from throughout the world to community. Not only is the Toronto Waterfront Marathon the race where Canada's best distance professional athletes complete, however it attracts Olympians as well as document owners from top running countries like Ethiopia and Kenya. This is, without a doubt, among the very best Canadian events to witness the globe's elite athletes demonstrate the finest of human physical capacities.

10. Toronto ComiCon

When: March

Comic book as well as sci-fi geeks alike count to this event all year, which is primarily Xmas for nerds. For striving (and actual) superheroes, Toronto ComiCon hosts a three-day party of unpopular subcultures including comics, graphic novels, sci-fi, anime as well as gaming. With over 400 exhibitors in a 15,000-square-foot space, this extravaganza draws out 25,000 fans, as well as cosplay personalities and also stars-- so bring a selfie stick along for the fun trip. While there, do not forget to look into musician street to view noteworthy comic and also graphic novel artists at the workplace. You might also reach go home with a sign from your fave.

11. imagineNATIVE Film and Media Arts Celebration

When: October

Toronto is a city filled with artsy kinds that know exactly how to hold an arts and social event like nothing else. The yearly imagineNATIVE Film and also Media Arts Festival is the world's biggest aboriginal movie and media arts celebration. Released in 2000, this five-day event showcases movies, docudramas, music videos and also art installations produced by aboriginal musicians, supervisors and manufacturers from Canada and abroad. The goal is to use art to produce a far better understanding and also appreciation for native societies worldwide. The high quality of the web content is extraordinary, with numerous jobs winning critical praise and also triggering conversations about social issues. You make sure to leave this celebration with some food for thought.

12. Nuit Blanche

When: September

If you're a night owl with a penchant for out-of-the-box art installations, crazy projections and life-sized sculptures, strategy to go to Toronto's Nuit Blanche. The complimentary, all-night contemporary art extravaganza is a wild flight bring in spectators of every ages and histories. For one evening, the streets are changed right into an al fresco gallery, showcasing works set up in unforeseen places around the city. Included artists range from the upcoming and also homegrown to internationally-known icons such as Ai Weiwei. From dusk until dawn, jump from site to website, checking out mind-blowing, bizarre, stunning as well as provocative items, often entailing songs, lights, videos and also sound loopholes. Put on comfortable footwear due to the fact that you'll be doing a lot of strolling.

The post “The 12 best events in Toronto” was first seen on TimeOut

Naturopathic Toronto Doctor - Dr. Amauri Caversan, ND

0 notes

theteenagetrickster · 5 years ago

Text

The 30 Best R&B Albums of 2019 - Rated R&B

If 2018 was the year of endless R&B releases, 2019 was definitely the year of anticipation for more intriguing R&B LPs to drop.

In the first half of 2019, diverse artists like Chaka Khan, Khalid, Ciara, and Eric Bellinger, grabbed the limelight for their solid projects.

Later in the year, there was a mighty rise in the genre, as even greater albums started to show up on retail and digital fronts.

Among this elite list of artists to flex their R&B muscles were BJ The Chicago Kid, Elle Varner, Raphael Saadiq and Fantasia.

Here are the top 30 R&B albums of 2019, as chosen by our editorial team: Anders, Antwane, Danielle and Keithan.

30. Leven Kali: Low Tide

Where the mellow and hazy “vibes” take president, Leven Kali breathes an energetic spirit into the current music climate. Low Tide is a satisfying offering of musicianship in a little over 30 minutes. Kali displays his musical range from the smooth jazz-inspired “Cassandra” to the warm and funky “Do U Wrong” featuring Syd, while the overlooked gem “1 on 1” pays homage to the art of the ’90s slow jam. For his full-length debut, Kali pieces elements of R&B and some of its subgenres to create a refreshingly bright project. — Danielle

29. Nicole Bus: Kairos

Hailing from the Netherlands, all ears were on Nicole Bus’ Wu-Tang-sampled single “You” before fans knew who she was. Kairos is an assortment of genres spread over R&B and soul with contagious boom-bap drums as the centerpiece. Her smoldering tone adds texture to gleaming tracks like “Rain,” a simple yet hard-hitting number that allows her vocals to cut through. With a radio single under her belt and releasing her first American LP not long after, the timing couldn’t have been any better. — Danielle

28. Shay Lia: Dangerous (Deluxe)

If you’re a fan of KAYTRANADA, then you should be familiar with Shay Lia. Both from Montreal, the pair have collaborated in the past but Lia steps out on her own for her first full-length project Dangerous. The project connects all 11 tracks with a consistent bounce for this airy, ’70s-inspired compilation. Dangerous picks up the energy by track five, “Want You” featuring UK rapper Kojey Radical, a percussion laden song where the two effortlessly feed off each other. Lia closes things out with the smooth retro-leaning “Rock Baby,” allowing her vocals and the stripped-down production to come to the forefront. — Danielle

27. Raheem DeVaughn: The Love Reunion

Anyone familiar with Raheem DeVaughn knows that he has crowned himself as The Love King over the years. The Washington, D.C. native has dedicated his entire discography, which spans over 14 years, to all-things love. On The Love Reunion, DeVaughn brings his signature sound to the forefront on passionate tunes like “Just Right,” “Any Everywhere,” “Ballerina” and the title track, to name a few. There are a couple of moments when DeVaughn taps into other genres. “Kissed By the Sun” hears DeVaughn experimenting with Afrobeat, while the Edley Shine-assisted “Magnet” brings reggae vibes. — Keithan

26. Lion Babe: Cosmic Wind

Cosmic Wind is the appropriate title for Lion Babe’s sophomore LP, a breezy and fluid collection of heavenly jams. Vocalist Jillian Hervey and producer Lucas Goodman combine their talents to create an infectious harmony of electro-soul and dance. Known for producing vibrant energy, the duo’s ability to oscillate between the slinky and rhythmic “Anyway You Want To” to the sexy and jazzy “Never Before” is a testament to their varying, yet solid influences. — Danielle

25. Kyle Dion: Suga

As his alter-ego SUGA, fledgling soulster Kyle Dion takes listeners down a famed-dazed path that involves sultry funk and futuristic soul melodies on his first proper album. Tackling the fast-track rise to stardom, Dion reflects on losing normality and strifes over maintaining a glamorous image in a “Glass House” where everyone is constantly on a stakeout. There are some moments on this groovy burner when Dion recalls Bruno Mars’ and The Weekend’s thunder like on the trend-borrowing “Spend It” and the colorfully warm “Teach Me.” But his own sound highlights creep out on “Not All Your Way,” a mellow speed bump targeted at a revved up partner who he wants to take his time loving. Dion laces “Somethings We Can’t Do,” a breathtaking closer based on personal contentment, with his best wails on this 40-minute set. – Antwane

24. Summer Walker: Over It

While everyone was enjoying their hot girl summer, Summer Walker was gearing up to put the world back in its feels in the fall. The Atlanta-based singer-songwriter had already set off a chain reaction of women being open and honest about their sexuality on her hit song “Girls Need Love.” Now, she was ready to open up to the world in a whole new way on her debut album Over It. Walker’s effort showed the world a more vulnerable side to her, as she added on to a catalog of great melancholic R&B. The London on da Track-helmed project not only received a co-sign from Usher on “Come Thru,” but it debuted at No. 2 the Billboard 200 chart, becoming the highest female R&B debut in nearly 10 years. — Anders

23. Tinashe: Songs For You

Tinashe has been fighting to get her sound heard for nearly half a decade. After leaving RCA Records due to “lack of creative control” earlier this year, the R&B virtuoso finished the most defining year for herself with the release of her super-personal independent album Songs For You. Tinashe’s fourth LP details the highs and lows of the singer’s past relationships on songs like “Save Room For Us” and “So Much Better.” It also reminds listeners of the California native’s incredible talent as a songwriter and record producer, as she wrote and produced nearly every track on this genre-bending set. – Anders

22. Chris Brown: Indigo

How much music does Chris Brown have stored? Seriously. Just two years after dropping his 57-track album Heartbreak on a Full Moon, Brown returned with another extensive project, Indigo, which is packed with 32 tracks. While the album’s singles (“No Guidance” featuring Drake, “Heat” featuring Gunna” and “Undecided”) got a lot of love on the Billboard charts, there are plenty of gems that may go unnoticed if the listener isn’t willing to sit through two hours of music. There is something for every mood on the album: sensual (“Come Together” featuring H.E.R. and “Throw It Back”); dance/party (“Wobble Up” featuring Nicki Minaj and G-Eazy and You Like That”); laid-back/chill (“Don’t Check On Me” featuring Justin Bieber and Ink, “Dear God”); and much more. — Keithan

21. Fantasia: Sketchbook

Nobody knew what to expect from Fantasia’s follow-up to her so-called “garbage” The Definition Of… album in regards to her contrasting pre-album cuts (“PTSD” featuring T-Pain, “Holy Ghost”). But, as one might expect, Sketchbook further adds to her last two experimental album run. Vocally, Tasia is concerned about having more control than oversinging as highlighted on the adult-oriented love ballad “Enough” and the dramatized number “Bad Girl.” Musically, the soul performer continues to explore sonic freedom that gravitates towards her iconic rock influences (“Warning”). While this solid long-player doesn’t include her prematurely-discussed and uncleared collaboration with Brandy and Jazmine Sullivan, Fantasia refuses to stunt her desired artistic growth for fans or critics. – Antwane

20. PJ Morton: Paul

Paul takes listeners on a journey through PJ Morton’s mind as he ponders about his ambitions, his love life and his experience as a Black man in America. It is a solid album that is packed with positive affirmations to comfort anyone who is going through a tough time. If there’s anything to learn from this short-and-sweet project, it’s to never lose sight of who you are and to remain optimistic, period. – Keithan

19. DAWN: New Breed

DAWN is exactly what music needs: a passionate trailblazer who unabashedly resists industry tyranny for the sake of authentically connecting with their listeners. Celebrating her New Orleans origin, New Breed rids the toxic “this is a man’s world” view and hits on all the times women of color, particularly Black women, had to pander men in personal and professional situations. With a strong focus on vivid expressions regarding disappointment, perseverance, and self-acceptance, DAWN ignites a new fire in Black women on empowerment anthems like “Spaces” and “We, Diamonds.” Everything on this amped-up set isn’t so serious, though. The indie superstar samples nightlife on the easy groove “Dreams and Converse” and trolls an Instagram groupie on “Jealousy,” a fluid slow jam. – Antwane

18. Johnny Gill: Game Changer II

When you’re a legend like Johnny Gill, you can play by your own rules. After promoting his Game Changer album for three years — five singles in total — Gill kept the theme going with a sequel. This time around, he switches up his creative approach by gently tapping into other sounds outside of R&B. To help his vision come to light, he teamed with super producers like Jimmy Jam and Terry Lewis, Blac Elvis and Ralph Stacy. Gill doesn’t stray too far from traditional R&B sounds. He quickly delves back into his comfort zone with tender R&B tunes like the album’s lead single “Soul of a Woman,” “Perfect” featuring Ralph Tresvant, “Bed on Fire,” “Home” featuring Kevon Edmonds and more. – Keithan

17. Louis York: American Griots

Mary J. Blige, Rihanna, Bruno Mars and Britney Spears all have something in common: they’ve worked with Louis York — Claude Kelly and Chuck Harmony — to create hits that their fans will continue to play from years out. This year was the year for Louis York. Their debut album American Griots exemplifies Black Excellence. The carefully-curated sonic experience is a celebration of Black people’s influence on music. Although R&B is the essence of Louis York’s music, they consciously decided to incorporate sounds from other genres that Black people had an impact on. American Griots is an ode to Black musicians and artists who pioneered what we refer to today as American music. Although the album contains a mix of different genres, it flows in a way that makes the listening experience seamless. — Keithan

16. Johntá Austin: Love, Sex & Religion

Johnta Austin’s musical resume is full of hits he’s written for artists like Usher, Mariah Carey, Mary J. Blige, and the list goes on. This year, it was all about Johnta Austin the artist. On his debut effort, the Grammy-winning singer/songwriter dabbles into love, sex and religion. There is more emphasis on love and sex, with religious nuances sprinkled in between. “Everyone has their own feeling of love, their own connection to the creator and their own connection to sex,” Austin told Rated R&B in an interview. “As long as it is pure, beautiful and you’re not hurting anybody, then this album is for you.” — Keithan

15. Rahsaan Patterson: Heroes & Gods

After an eight-year hiatus, Rahsaan Patterson made a divine return with Heroes & Gods — and it was well worth the wait. On Heroes & Gods, Patterson explores themes on love, self-empowerment and spirituality. The 13-track offering fuses experimental sounds that effectively showcase Patterson’s well-textured tone and pristine vocal range. Patterson’s signature sound can be heard on songs like “Catch Me When I Fall” and “Sent From Heaven.” He gives listeners a chance to let loose on the dance floor with upbeat songs like “Rock and Roll,” “Soldier” and “Silly, Love, Fool.” Listening to Heroes & Gods is just another reminder that Patterson is criminally-underrated as a vocalist and as an artist. — Keithan

14. Mahalia: Love and Compromise

Mahalia, another promising newcomer from the U.K., makes the best use of her past love situations on her sterling debut set. Having a songwriting credit on each song featured on Love and Compromise, this rising talent has grown into a woman that demonstrates unique power after overcoming interesting romantic experiences far beyond her youth. Original and reminiscent at the same time, this emotionally vulnerable album plays in the street of vibrant twists and turns on tuneful tracks like the pressure-free joint “Good Company” and the in the grey feeler “What Am I?” Her irresistible collaborations with other new acts Ella Mai and Lucky Daye are genuine co-signs. In all, Love and Compromise is a strong indication that R&B’s future is in good hands. – Antwane

13. Elle Varner: Ellevation (EP)

It’s not easy to make a comeback after seven years, but Elle Varner returned like she never left. Although her Ellevation project is labeled as an EP, it feels like an album. Running six minutes shorter than her debut album Perfectly Imperfect, Ellevation is packed with all kinds of feels. In a span of 35 minutes, Varner takes her listeners on an emotional journey as she navigates through her broken heart. The project opens with “Coffee On the Roof” where she catches feelings with a potential love interest. However, things quickly take a turn on the second track “Pour Me (Think bout u)” featuring Wale. She tries to save her relationship on “1 To 10” but is ultimately unsuccessful. While the core of the project is sadness, Varner picks her head up on “Kinda Love” and outlines what she wants in her next relationship. – Keithan

12. Baby Rose: To Myself

A cure for healing a broken heart: any tear-soaked track from Baby Rose’s critically- lauded debut outing, To Myself. Possessing vocal dynamics and nuances of music great Nina Simone, Rose proves that her seasoned sound is as trusting as the touchy lyrical substance she yearns. She factors in a painful narrative of mistaken domesticity on the exhausted opener “Sold Out.” Cuts like the one-sided love affair “Over” and the indecisive highlight “Borderline” are dominated by deep sadness and nocturnally complex arrangements to drive it all home with intense emotional prowess. To Myself should be the album to make it not only to unfledged listeners but those with mature minds, too. – Antwane

11. Gallant: Sweet Insomnia

“I called the album Sweet Insomnia because, lyrically, every song is bittersweet,” Gallant said in a previous press statement. “Nothing is 100% positive and light-hearted. Nothing is 100% brooding and cynical. It’s very balanced and real – like an unretouched photo.” For Sweet Insomnia, the follow-up to his Grammy-nominated debut album Ology, he opted to experiment more with an early 2000s R&B sound. The standout track “Sleep On It,” and arguably one of the best R&B songs to release this year, brings back those contemporary R&B vibes felt on Usher’s 8701 album. The Maryland native doesn’t hold back on his ear-piercing falsetto notes. His vocals soar on songs like “Hurt” and “Crimes. While the subject matter on Sweet Insomnia may be a little dark and emotional, the overall nostalgia brings light to the listening experience for true R&B lovers. — Keithan

10. SiR: Chasing Summer

Switching seasons from November, SiR takes flight into sunny yet turbulent skies on Chasing Summer. Inglewood’s finest takes listeners through the less savory aspects of romance from a true to life perspective. SiR pulls from his earlier works and ties it in with his current sound to form an album that pleases new and old fans alike. Steadily in the mid-tempo pocket, the TDE singer flows with ease on songs like ‘Wires in the Way” and “You Can’t Save Me.” The listening experience of the hazy and melodic body of work feels akin to the favorable season coming to an end, savoring every last moment until it comes to a close. — Danielle

9. Raphael Saadiq: Jimmy Lee

The fifth studio album from Raphael Saadiq may well be one of the year’s most dramatic R&B releases. Most everything on Jimmy Lee, the well-respected musician’s first full-length effort in eight years, tends to be a tribute to his deceased brother’s battle with addiction. Lead single, “Something Keeps Calling,” is a soul-inflected comeback hit that describes his constant fight against a sea of nagging second thoughts. There are only a few songs that don’t address substance abuse in any capacity. While he makes heady drug references on “I’m Feeling Love,” focused on dependency, it’s disguised as a love ode. Sticking to his eccentric, jazz-funk sound, Saadiq mixes in dark nuances and heavy lyrics on Jimmy Lee to showcase boundary-pushing moments. – Antwane

8. BJ The Chicago Kid: 1123

The title of BJ The Chicago Kid’s second album (1123) may appear random to many people but there’s a bigger meaning behind it: It was inspired by his birthday, which is November 23. To celebrate another year of life, BJ gave the world the gift of music. “Most people receive gifts for their birthday but I wanted to give something for my birthday,” he told Rated R&B earlier this year. The something BJ is referring to is an unforgettable experience that comes from listening to the album. He instantly captures the listener’s attention on the opener “Feel The Vibe.” The Anderson .Paak-assisted groove sets the mood for the rest of the album. With lyrics like, “Come on in, close the door and feel the vibe” and “Talkin’ shit with the old heads / Mama dancin’ to some Al Green,” BJ paints a picture of a summertime get together at a Black household. The rest of the album is packed with lush R&B sounds that acts as solid proof as to why the album is up for a Grammy nomination. — Keithan

7. Anderson.Paak: Ventura

It’s a bit unbelievable that Oxnard and Ventura were made at the same time. The softer, more soulful of the two is the perfect example of when Anderson. Paak gives into his R&B side. Instrumentation plays a significant part in his fourth studio album, while the star-studded features (Smokey Robinson, Jazmine Sullivan, Brandy) are a worthy enhancement. Ventura provides a consistent smoothness with a flare that goes far beyond a common groove. — Danielle

6. Solange: When I Get Home

In one of the most richly textured R&B releases of 2019, Solange delivers an intriguing project powered by tight songwriting, lush musical arrangements, and beautiful vocal stylings. Recorded in various parts of the world spectrum, including New Orleans and Jamaica, the “warm, fluid, and more sensual” synesthesia she hinted in The New York Times Style Magazine last fall are rendered in slower numbers like “I’m a Witness” and “Jerrod.” Much of When I Get Home’s sonic appeal comes from Solange’s hometown Houston. The music she sings and vibes to on trippy, screwed solos “Stay Flo” and “Almeda” date back to the trademark DJ Screw era of the early 2000s. By the authentic sound of Home, it is baffling to think that Solange once expressed fear ahead of sending this astonishing Black art into the atmosphere. Of course, this collection of retro musical moods doesn’t repeat the purposeful intent of A Seat at the Table; but it’s a good thing it didn’t. – Antwane

5. Snoh Aalegra: Ugh, Those Feels Again

It has been a long time coming for Swedish soul crooner Snoh Aalegra as she released her first project First Sign under the stage name Sheri in 2010. Nearly 10 years later, Aalegra released one of the most intimate R&B albums of the year, – Ugh, those feels again. A project seemingly sent straight from the heavens, Aalegra’s sophomore LP serves as the sequel to 2016’s FEELS, and it features an introspective look at the tell-tale signs of falling in love, as heard on the album’s lead single “I Want You Around.” As a songwriter, Aalegra shines with her unforgettable hooks and haunting melodies on tracks such as “You” and “Whoa.” While her road to success has been a lengthy one, Aalegra’s breakthrough effort – Ugh, those feels again will remain a marveling stop along the way for R&B fans everywhere. – Anders

4. Jamila Woods: Legacy! Legacy!

Jamila Woods knows how to make a statement. Starting with the album’s track list, each song title is named after a significant person of color. Bridging blues, funk, hip-hop and soul, Woods summons and intertwines their energy on each track, which are individually significant in their own right. Weaving aspects of Blackness and womanhood, LEGACY! LEGACY! embarks on an elegantly expressive journey of finding and accepting yourself in a world where the cards aren’t always in your favor. — Danielle

3. India.Arie: Worthy

The fact that India.Arie continues to be a potent example that evolves the thought-inspiring messages she sings on every album 17 years after her fulfilling debut again lends to her meaningful position in the R&B world. On Worthy, her incredibly polished new album, it’s no different. The soulful veteran is back full force with refreshing, love-longing, and enlightening compositions that strike a chord in listeners. Clearly inspired by the state of the world, Arie evokes lyrical healing with momentous anthems like the funky “Rollercoaster” ride and the spellbinding track “What If?”. “That Magic,” a warm-weather love song, gloats on her masterful songwriting. Among the traditional R&B gems on Worthy is “Steady Love,” her inaugural number one hit on the urban adult-oriented radio format. Thanks to Arie for another mind-stimulating project; it’s just what the world needs. — Antwane

2. Lucky Daye: Painted

Lucky Daye may have seemingly appeared out of nowhere but his presence has been welcomed with open ears. The artistry of this New Orleans native was built in the latter half of his life, providing him with an expansive canvas. Daye balances traditional and innovative R&B stylings to craft his highly anticipated debut album, Painted. Roping listeners in with full-bodied vintage-inspired production, Daye’s official introduction to the world has left a rousing first impression. – Danielle

1. Ari Lennox: Shea Butter Baby

With comparisons to R&B greats such as Erykah Badu and Lauryn Hill, Washington, D.C. native Ari Lennox stole the attention and hearts of R&B fans with her debut album Shea Butter Baby. As the first lady of J. Cole’s Dreamville Records, Lennox became a pillar of the label and helped bring it to the forefront of music this year.

She appeared on Cole’s song “Change” in 2016, but it was the Minnie Riperton-esque “Whipped Cream” where she shined on her own. Lennox brought this tender, yet soulful sound to her album, along with some sticky hooks, heard on tracks like “BMO” and “New Apartment.” Not only that, Shea Butter Baby introduces this generation to a unique voice easily comparable to Badu, as Lennox’s voice is almost instantly recognizable.

Shea Butter Baby’s titular song is certified gold by the RIAA, and the album snagged three Soul Train Award nominations. While the project did not receive many accolades during its run, it remains a staple piece of the late 2010s, sealing Lennox’s status as one of R&B’s reigning princesses. – Anders

Follow Rated R&B’s editorial team on Twitter

This content was originally published here.

0 notes

picturelockshow · 7 years ago

Text

"Thor: Ragnarok" Review

Thor: Ragnarok is a very fun film, and sometimes extremely funny. The third film in the Thor series, and the seventeenth film overall in the Marvel Cinematic Universe, this latest installment comes from filmmaker Taika Waititi, who after directing indie hits such as What We Do in the Shadows and Hunt for the Wilderpeople (which was one of my favorite films last year), makes his big budget debut. Fully embracing the comedy aspect that the first two Thor films explored, you’re in for a fun time in the theaters. While the story itself is a little lacking, Thor: Ragnarok makes up for it with some huge laughs from start to finish. Truth be told, this might just be my favorite of the Thor films.

The basic plot of the film follows Thor (Chris Hemsworth) who after an encounter with Hela (Cate Blanchett) finds himself on the planet of Sakaar and gets taken prisoner by The Grandmaster (Jeff Goldblum). Forced to battle his old friend Bruce Banner/The Hulk (Mark Ruffalo) in a gladiatorial arena, Thor must find a way to get back to Asgard to battle Hela and prevent Ragnarok from occurring on Asgard with some assistance from old and new allies.

Right off the bat, this is a much better film then his last solo film, 2013’s Thor: The Dark World. The humor from Waititi’s films translates well to this film. If you’re a fan of the type of humor his films provide, you’ll have enjoyment with this. The jokes come fast and furious, and there were times that I was laughing so hard that I missed the next joke. Essentially, this is a buddy comedy film with good comedic timing throughout and a lot of improv. There are some fun callbacks to other MCU films. For 95% of the film, it finally did what I was hoping a Thor film would be: a story that’s set in the cosmos and not on Earth. The production design from Dan Hennah and Ra Vincent is on point. The colors are vibrant and the design really stands out, especially on Sakaar. I could watch a movie set on that planet or get lost in that for hours. This film would make Jack Kirby proud, since it seemed like they looked at his artwork for inspiration.

The acting across the board is good. Blanchett appears to have a ball as Hela. Tessa Thompson (a new face to the group) is solid as Valkyrie, and she holds her own in every scene she’s in. Hemsworth, as always, embodies the role. This film features my favorite portrayal of Banner yet in the MCU, and the CGI when he’s The Hulk is probably the best looking so far. The way that Ruffalo plays him is brilliant. Since you can’t have a Thor film without Loki (Tom Hiddleston), I thought what they did with their storyline was good and how they basically have to come to terms with one another. There are funny cameos throughout, especially with the one and only Stan Lee! When the film was set on Sakaar, I dug the 80s synth score that composer Mark Mothersbaugh provides. The use of Led Zeppelin’s “Immigrant Song” was great. Instead of getting bogged down with exposition, screenwriters Eric Pearson, Craig Kyle, and Christopher L. Yost basically give you the bare minimum without overly complicating it. Finally, for a 130-minute film, the pacing was good.

If there are any drawbacks I had with the film, the story isn’t particularly deep and somewhat skims the surface. Some of the characters aren’t developed well, and maintain their one note status in the choir, like Karl Urban’s Skurge. There is a little too much CGI in certain scenes, and noticeable in others. If you’re coming in looking for explanation to what happened to certain characters, you either won’t find it, or it’s said in passing dialogue. I saw this in 3D, but the 3D aspect didn’t do much for me and nothing really stood out.

Overall, Thor: Ragnarok is a fun comedy adventure film. It’s the most fun of the series. It felt like I was watching a comic come to life. For his first big budget film, Taika Waititi succeeded. This is yet another winner from Marvel Studios, which did their own version of a 80s buddy comedy sci-fi film. If you’re looking to spend some time in the theaters and laugh your head off, you can’t go wrong with this. As always, be sure to stay until the end of the credits. Go see it!

Rating: B+

#Thor: Ragnarok #Thor #marvel cinematic universe #Marvel Studios #chris hemsworth #tessa thompson #Tom Hiddleston #Cate Blanchett #Picture Lock #movie review #film review #movie #Taika Waititi

2 notes · View notes

toldnews-blog · 6 years ago

Photo

New Post has been published on https://toldnews.com/travel/art-review-at-frieze-new-york-islands-of-daring/

Art Review: At Frieze New York, Islands of Daring

Getting into this year’s Frieze Art Fair on Randalls Island will cost you $57, plus the round trip on the ferry. But that’s nothing compared to what it cost nearly 200 galleries to exhibit there. And so dealers have made the reasonable decision to bring a little of everything that sells — which may account for the conservative vibe. That said, there are many islands of daring, including special sections focused on solo presentations, small galleries, the influential gallery JAM and virtual reality. We sampled them all — along with the mainland fairs that are part of Frieze Week. Our art critics Martha Schwendener and Will Heinrich pick a handful of the best booths under Frieze New York’s big tent.

Booth C2

Bridget Donahue and LC Queisser

One of the strongest single-artist booths is a joint presentation by Bridget Donahue Gallery and LC Queisser, who represent the artist Lisa Alvarado in New York and the Republic of Georgia, respectively. Ms. Alvarado made her acrylic-on-canvas pieces, each painted with a thrilling zigzag pattern, as backdrops for performances by the Natural Information Society, in which she plays the harmonium. If the fair’s not too loud, you’ll be able to hear the band’s hypnotic music, too. WILL HEINRICH

Two exceptional but very different displays are on view in the fair’s midsection. At Casey Kaplan gallery, Matthew Ronay’s carved wooden sculptures, pieced together into abstract, evocative organic configurations in various coral hues, are placed on plinths and feel like an oasis amid the fair’s chaos. (Mr. Ronay also has an exhibition on view at Kaplan’s Chelsea location.) Martine Gutierrez continues her rampage as the Indigenous Woman, a transgender alternative-fashionista at Ryan Lee. In photographs and faux-fashion spreads, Ms. Gutierrez combines traditional Mayan and Guatemalan garments and fabrics with fantastic and futuristic accessories and makeup to conjure new, fluid forms of being. MARTHA SCHWENDENER

Booths F6, F12 and F14

Company, Bank and Very Small Fires

The Frame section of Frieze, devoted to galleries 10 years or younger, is particularly good this year. Befitting the ethos of the emerging artists they represent, the booths are platforms for performance or installations, with linoleum or AstroTurf covering the floors. The New York gallery Company is hung with paintings by Jonathan Lyndon Chase that feature roughly drawn figures or graffiti, as well as crude sculptures of a toilet seat or a dollar sign. Yanyan Huang treats the booth at Bank, a Shanghai gallery, as an “immersive portal” (according to a handout) in which traditional ink drawings merge with digital applications. Nearby, Diedrick Brackens’s colorful tapestries at the Los Angeles gallery Various Small Fires join traditional materials with references to figures like African-American cowboys. SCHWENDENER

The Tehran gallery Dastan (appearing here as Dastan’s Basement) has hung more than 50 portraits by the artist and architect Bijan Saffari. A member of the royal family who left Iran for Paris after his country’s 1979 revolution, Mr. Saffari was also gay, which made his position doubly precarious. The portraits are rather simple and conservative, drawn in graphite and colored pencil. And yet they are sensitive and closely observed, and they gain by their group presentation, appearing like a narrative of his circle of friends in the ’70s and ’80s. There is an elegiac tone to these drawings; the artist died days before the current edition of Frieze opened. SCHWENDENER

Booths B36 and F9

David Lewis and Antoine Ertaskiran

In a fair dominated by painting, David Lewis of the Lower East Side and Montreal’s Galerie Antoine Ertaskiran, making its Frieze debut, stand out with presentations that could pass for gallery shows. Four cool acrylics by New York painter Charles Mayton, at Lewis, feature schematic eyes and hands in jazzy mash-ups of shelves, bars and circles. Jane Corrigan’s large wet-on-wet paintings of women on the go, at Ertaskiran, are exquisite brown and yellow collisions of impatience and poise. HEINRICH

Booths A11, B32, C7 and D1

Foxy Production, Simone Subal, Rachel Uffner and Galerie Lelong

Several New York galleries have mounted outstanding painting displays in which artists bend the medium in a variety of ways. At Foxy Production, Srijon Chowdhury, Gina Beavers and Sascha Braunig offer reinventions of Gothic romanticism, surrealism, Op or Pop Art. Simone Subal is showing the work of Emily Mae Smith, whose paintings are slick and whip-smart updates and appropriations of posters from the ’70s and ’80s. Maryam Hoseini works both on and off the wall at Rachel Uffner, but combines abstracted Persian imagery or techniques with contemporary painting. Sarah Cain’s take on painting at Galerie Lelong offers candy colors, cutouts and a floor flooded and stained with pigment. They remind you of paintings’ origins — in childhood — and suggest a kind of joyful, delirious regression. SCHWENDENER

Booths S4, S10 and S11

Galerist, Galeri Nev and Pi Artworks

The fair’s outstanding Spotlight section, curated by Laura Hoptman of the Drawing Center, is dedicated to “significant work by overlooked figures.” They include Yüksel Arslan, a Turkish painter born in 1933 who moved to Paris at the invitation of André Breton and died in 2017. His “Arture 439, Sans Titre, l’Homme,” from 1992, in a joint presentation by Turkish galleries Galerist and Galeri Nev, is a gloriously strange gallimaufry of interspecies sex acts and quotations from the artist’s scientific reading, drawn with homemade colors. Susan Hefuna makes ink drawings inspired by the intricate wooden screens of her Cairo childhood. The examples presented by Pi Artworks of London and Istanbul are done on overlapping sheets of tracing paper fastened with rice glue. The multitude of tones and textures create a fascinating tension between clarity and ambiguity — the drawings are like letters of a foreign language glimpsed in a dream. HEINRICH

The Diálogos section of Frieze includes solo presentations of Latin American art, organized by Patrick Charpenel and Susanna V. Temkin of New York’s El Museo del Barrio. I was particularly taken with Mariela Scafati’s hybrids of paintings and sculpture at the Buenos Aires gallery Isla Flotante. Ms. Scafati takes wooden bars where canvas is stretched and treats them like bones, joining the parts together in puppetlike configurations, sometimes bound or “wearing” a jacket or a pair of pants. SCHWENDENER

Booths B9, B10 and B20

lokal_30, Koenig & Clinton and Kate Werble

A vibrant knot of color and form awaits you at the intersection of New York’s Koenig & Clinton and Kate Werble galleries and Warsaw’s lokal_30. From Poland come three painters exemplifying postwar and contemporary Surrealism, among them the young Ewa Juszkiewicz, who repaints classic portraits of women, but hides their faces with cloth, ears of corn or a backward French braid. They evoke feminism, dream logic and implicit violence. Tony Marsh’s over-the-top ceramic vessels, encrusted in what look like shards of glaze, meet the eye-bending optical paintings of Anoka Faruqee & David Driscoll at Koenig & Clinton. Marilyn Lerner makes delicately complicated oil-on-wood abstractions at Kate Werble; don’t miss the unlabeled low tables by Christopher Chiappa, also in Werble’s booth. HEINRICH

There’s something magical about William T. Williams’s early 1970s “Diamond in a Box” paintings, hard-edged geometric patterns in blazing colors. The subtle misdirection of those patterns, and the complicated rhythm of the colors, mean you could look at them forever. Michael Rosenfeld presents a dozen never-before-shown acrylic-on-paper works from the same period. In these, a wiggly meander snakes in and out of concentric circles filled with vibrant brush strokes — they’re like Bauhaus takes on the Aztec calendar. HEINRICH

Booth F18

PM8

Spanish gallery PM8 presents 80 black-and-white photographs by the Lithuanian photographer Gintautas Trimakas, shot in the mid-90s and hung in three long rows. The piece shows 80 women with their heads and legs cropped out. Though the backgrounds range from white to nearly black, and the clothing and body types are all over the map, the typological presentation wears away these differences and leaves the figures all looking more or less interchangeable. It’s a deeply cynical take on both the consumerist Western freedoms available to Lithuanians after their 1990 independence and on the fate of all human bodies — the women aren’t so much living people as corpses in waiting. HEINRICH

V.I.P.s have access to the Deutsche Bank Wealth Management Lounge at Frieze New York. But nearly everyone can benefit from PPOW’s display of paintings by Steve Keene, which are on sale for $15 to $50. Mr. Keene was heavily influenced by indie rock bands in the early 1990s — his friends in Pavement, Silver Jews and the Dave Matthews Band — and the idea of selling quick, sketchily rendered paintings like cassette tapes. Using a stage in PPOW’s booth as a pop-up studio, he will produce hundreds of paintings on thin plywood panels — they are part endurance performance, part public art stunt. The vibe feels like one in a record store during an album release party. SCHWENDENER

Frieze New York

Through May 5 at Randalls Island Park; frieze.com. Tickets are limited and only available online.

#n i travel news #travel news a47 #travel news leicester #travel news london #travel news m55 #travel news uae

0 notes

taste-in-music · 5 years ago

Text

My Favorite EPs of 2019

Big, splashy albums from the year are always fun to go over. However, I think it’s just as important to acknowledge the shorter, oftentimes debut projects from artists both big and small that get released in a year as well. So here we have it, my favorite EPs of 2019 in no particular order.

Human by dodie: dodie’s gone done it again and whispered her way right into my heart. Delivering not only her signature vulnerable songwriting and delicate, bordering-on-fragile vocals, she also mixes it up by bringing in some guest features and upbeat moments. “Monster” shines atop of a plucky groove of glassy synths, and other production elements, like swelling strings on “She” and rushing, almost ocean-like undercurrent present on the fantastic title track “Human” make this EP a consistent but also highly atmospheric listen. Now when are we going to get an album?

My Top Track: Human ft. Tom Walker

Sanctuary by Aly & AJ: In a year where the Jonas Brothers made their comeback, I was waiting on the edge of my seat for the public to finally acknowledge the fact that Aly & AJ had been back for a while were crafting some of the catchiest, most addictive synth-pop under the sun. While that didn’t happen, we still have this glorious EP to enjoy. “Church” is the personal standout for me, adorned in sparkling vocal layering and a shimmering drop that feels like diving into an icy cool pool. The rest of the EP delivers catchy tracks accented with glistening production that catapults the project up into the galaxy.

My Top Track: Church

Perception EP by Joy Crookes: Y’all want to know why I procrastinate these lists for so long? It’s because I’m afraid that I’m going to overlook gems that I’ll regret not covering in the following year. This snuck in right under the wire, I didn’t hear this until a week or so ago when Joy Crookes was featured in BBC’s Sound of 2020 longlist. But boy am I sure glad I found out about her, because Joy Crookes is one of my favorite new finds of the year. Her performances on this EP are so smooth and self-assured, supported by chill R&B instrumentals that will flow through your mind with absolute ease. Also, she’s the first artist to use “skrt” in a song and have it work for me.

My Top Track: Hurts

Indigo by Erthlings: My favorite up-and-coming girl group has finally released their debut project, and I couldn’t be happier! This EP is a sweet little taste of indie pop awash in hazy guitars and gentle vocals. That doesn’t mean it’s all sugar-fluff though, there’s a snappy bass groove on “Bridges” and some spooky synths on “Cuts and Bruises” that provide variety.

My Top Track: Returning

Wild Wild Woman by Your Smith: Your Smith has made it onto this list for two years in a row, and for good reason. She takes the boppability (is that a word? I don’t care,) of last year’s Bad Habit and boosts it with a feeling of breeziness and spontaneity that is so refreshing on the ears. There’s something about the sound of this EP that makes me want to roll down the window of a car and drive through a desert, it’s that easygoing and smooth.

My Top Track: In Between Plans

chapter 2 by girl in red: Here we have another artist that has made the list two years in a row! This EP is varied, with girl in red moving into territory that gets more tender, (”watch you sleep.”) raunchy (”bad idea!”) or even joyfully absurd, (”dead girl in the pool.”) Despite this variety, this EP is held together though Marie Ulven’s down-to-earth performances that make this project feel relatable and all too real.

My Top Track: watch you sleep.

Some Place Else by MorMor: MorMor’s music makes me feel like I’ve drifted off into the ether, it is the epitome of dreaminess. The instrumental and vocals perfectly balance woozy lilting melodies and grounded elements, such as textured drums or deeper guitars. Put this EP on if you want to forget all of your troubles and let the world pass you by, it’s absolutely blissful.

My Top Track: Outside

Friends by Omar Apollo: I decided to give this EP a listen at the recommendation of a YouTuber I watch, (Alfo Media, you can check out his Omar Apollo video here. I also discovered Faye Webster through him.) This EP features a wide scope of eclectic sounds, from disco funk to bedroom pop ballads. I can safely say that there is a song on here for everybody. I played “So Good” in the car for my family when driving one time and literally everybody was bopping.

My Top Track: So Good

Talk You Down by Nightly: I was clicking through Spotify and this band popped right out of nowhere, and I’m so glad that I came across their music. They’ve got a similar energy to bands like WALK THE MOON and St. Lucia, playing vibrant electronic pop rock that puts you in a good mood. This EP is a sweet little slice of summery fun that will brighten your day in an instant.

My Top Track: Say Anything Else

you ruined new york city for me by FLETCHER: This EP saw a change in direction for FLETCHER’s sound, turning from the organic textures and dizzy-in-love sweetness of her Finding Fletcher EP (which I adore, by the way,) and moving into a moodier, more mature vibe. The best part of this EP, hands down, is FLETCHER’s performances. They’re so impassioned and effortless as they careen through the tales of heartbreak, she sells every song with her vocals. Also, “Undrunk” made it onto the Hot 100? I’m so proud!

My Top Track: All Love

Junk by Carlie Hanson: Ever since I fell in love with Carlie Hanson’s splash hit “Only One” early last year, I’ve been eagerly awaiting a debut project from her. After a slew of singles since then, Hanson returned with an EP that is a focused flurry of fresh sounding pop. Fun elements include the beat-boxing on the opening track “Bored with You” and the electric guitar that kicks the ever-addictive “Back in My Arms” into gear. I can’t wait to see what she brings to a longer project in the future.

My Top Track: Back In My Arms

Flashbacks & Fantasies by Ralph: How lucky are we that Ralph gave us an EP so quickly after her album? We truly aren’t worthy. This project is stuffed with fun, glittery pop hooks that’ll get you grooving in no time. Songs on this project range from hypnotic indie pop bops to dancefloor bangers that feel ripped right out of the 80s.

My Top Track: No Muss No Fuss

Deadbeats by Willa: What a comeback this turned out to be! Willa’s turn to bright, fluorescent pop has been an absolute joy, featuring some of the catchiest hooks of the year. “Cause You Did” made it onto my favorite songs of the year list last year, and it still holds up. “Deadbeats” is one of my favorite pop songs of the year, the chorus is absolutely euphoric. Also, check out her Twitter and the thread she made of all the colors and textures she associates with each songs, she’s synesthetic so it’s really interesting to look through.

My Top Track: Deadbeats

What were your favorite EPs of 2019? Did you listen to any of these EPs? Leave your recommendations and thoughts down below.

#EP #EPs #EP of the year #EP recommendation #dodie #aly & aj #erthlings #your smith #girl in red #mormor #omar apollo #FLETCHER #carlie hanson #willa #taste in music #taste in music 2019 faves

88 notes · View notes

recentanimenews · 8 years ago

Text

Review: Your Name (Kimi no Na wa)

Body-swapping protagonists Taki and Mitsuha bicker by writing "idiot" on each other's faces.

Your Name (Kimi no Na wa in Japan) is the biggest hit anime in years, landing just behind Disney's Frozen in the ranking of highest-grossing films in Japan. It's not hard to see why the movie has brought such massive audiences to the cinemas. Director Makoto Shinkai (5 Centimeters Per Second, Voices of a Distant Star, The Garden of Words) has a knack for incredible set design and intimate portrayals of human emotion, and he brings all of this to bear while shaving off some of the idiosyncrasies of his previous indie work. For newcomers to the director, Your Name is no doubt a spectacular, revelatory experience. For some of us who have seen what he is capable of, the movie can feel paradoxically both unfocused and overly simplistic.

In a sense, Your Name is a typical Shinkai movie, but in reverse. The leads — bored country girl Mitsuha and city boy Taki — begin the story physically separated, but soon find that they inhabit each other's bodies during their dreams. What starts as a curious supernatural phenomenon soon turns into a stressful tug-of-war between the teenagers, as each tries to prevent the other from inadvertently ruining their life. But it's the second and third acts of Your Name that transform it from a quirky supernatural comedy to something more profound. The romance that develops between Mitsuha and Taki hits a snag, and they must overcome both a horrific catastrophe and time itself in order to close the gap between them, all while trying to hold onto memories of each other that seem to slip from their fingers like half-remembered dreams.

Your Name is brimming with unique, interesting ideas, especially considering how often Shinkai's prior films rehash the same old story about star-crossed lovers. There's body-swapping, spirituality, mortal danger, an exploration of gender identity, and a lot of quite funny character-based comedy (the kids coming to terms with their new body parts is especially charming).

But Shinkai is a creature of habit, and Your Name suffers when he falls back into patterns from his prior films. Characters retread lines almost literally ("I'll search for you no matter where you go" or something to that effect), while Shinkai's shot composition and background design similarly cribs from specific scenes in 5 Centimeters Per Second and Children Who Chase Lost Voices. The final sequence itself is a near shot-for-shot retread of another Shinkai film (I won't spoil which), but with a far less nuanced ending. The worst is the director's penchant for music video-style montage sequences. Your Name features no fewer than three of them, including an incongruous TV anime-esque opening song, and they often feel like a crutch for when Shinkai (also the writer of Your Name) can't figure out how to move his characters into place for the next scene. In his previous films these sequences provided punchy emotional climaxes, however schmaltzy they sometimes were. In Your Name this tendency becomes distracting and serves only to confuse the story's pacing.

On top of this, Your Name's three acts feature such radically different conflicts that the movie sometimes feels disjointed. Children Who Chase Lost Voices suffered a similar problem of being overburdened with too many different ideas, while 5 Centimeters Per Second avoids the problem entirely by simply presenting three separate short films. In Your Name there's a binding thread between the three acts, but the momentum isn't strong enough; I found it hard to stay totally invested all the way through. I was surprised to hear how many attendees at my screening were moved to tears by the end of the movie. Despite 5 Centimeters Per Second routinely reducing me to a blubbering mess, my eyes remained completely dry for the duration of Your Name.

Shinkai has admitted that Your Name is inspired in part by the 3/11 earthquake and tsunami, and the latter half of the story spends a lot of time exploring Japan's post-3/11 anxiety about natural disasters, the death of small towns, and the loss of traditional culture to urbanization. This commentary on contemporary Japanese society is easily the film's most interesting theme (and clearly has been quite powerful for Japanese audiences), but foreign audiences may lose track of it under the weight of body-swap antics and Shinkai's dogged focus on romance between the teenage leads. What's left by the end is a love story that is sweet but surprisingly shallow, considering the many promising avenues it takes to get there.

Still, those Shinkai visuals never cease to amaze. He is rightly renowned for his vibrant, hyperreal color design and intricately researched locations, both of which are present in Your Name, but the new addition this time is in the realm of character design and animation. Veteran character designers and animation directors Masayoshi Tanaka (Anohana, Toradora) and Masashi Ando (Princess Mononoke, Paprika, A Letter to Momo) create expressive modern anime designs that burst with life when set in motion. The first act in particular explores a series of hilarious juxtapositions of Mitsuha and Taki's feminine and masculine tendencies, using their body language in many cases to accentuate the comedy. Shinkai's previous work features fairly flat character designs that rarely move in particularly inventive ways, which arguably grants even more of a spotlight to his evocative background work. In Your Name, the characters take center stage, sometimes overshadowing the backgrounds and provoking a nagging sense that something of the director's delicate, introspective magic has been lost in the shuffle. On the bright side, the move toward animation also results in a fascinating (and positively un-Shinkai!) montage that eschews hyperrealism for surrealism via pencil animation and psychedelic color work.

All that is to say that Your Name is not a bad film by any measure. It's a beautiful, ambitious piece of animation housing a supernatural adventure with a lot of heart, but a lack of thematic focus. For any other director this would be a career-defining triumph. For Makoto Shinkai it's merely his major-label debut: a little too cloying and commercialized, but a massive hit and a suitable gateway to the indie work that forms its foundation.

Your Name (Kimi no Na wa) originally appeared on Ani-Gamers on April 17, 2017 at 5:00 PM.

By: Evan Minto

#Anime #News #Ani-Gamers

3 notes · View notes

savetopnow · 7 years ago

Text

2018-03-24 01 MUSIC now

MUSIC

Brooklyn Vegan

Men I Trust played NYC with Hatchie, playing with Barrie tonight

Giuda prep new 7″ (watch the video), playing Burger Boogaloo & more dates

Five Notable Releases of the Week (3/23)

Leon Bridges preps 'Good Thing,' touring with Khruangbin (2 Radio City shows)

Justin Timberlake played MSG, rescheduled cancelled show for October

Consquence of Sound

Episode 59: The Soul’s Midnight: On Aliens and Government Conspiracies

Kali Uchis details debut album Isolation, featuring Tame Impala’s Kevin Parker, Damon Albarn, Tyler, the Creator, and more

Preoccupations share a Track by Track breakdown of their new album, New Material: Stream

Ideas and Music Share the Stage at Las Vegas’ Inaugural Emerge Music + Impact

Ranking: Every Wes Anderson Character From Worst to Best

Fact Magazine

Go behind the scenes of Air producer JB Dunckel’s stunning studio

Toni Braxton – Confessions

Delroy Edwards announces new album Rio Grande

Rainforest Spiritual Enslavement releases new album Red Ants Genesis

Fractal Fantasy’s new synth turns its CGI universe into a browser instrument

Fluxblog

The Moon Right Behind Me

Make Me Feel Right

I Loved And I Lost

Very Nice Very Nice

To Be Lucky Once

Idolator

Pentatonix Unveil A Vibrant Reimagining Of Charlie Puth’s “Attention”

Shawn Mendes’ “Lost In Japan” Is An Atmospheric Smash

Sia Reunites With David Guetta On Their Tropical-Tinged “Flames”

Ryan Tedder Talks Working With Selena Gomez, Shawn Mendes & More

Shawn Mendes Kicks Off A New Era With His Sweeping “In My Blood”

Listen to This

Wasuremono -- For All The Bears [ Indie / Dream Pop ] (2017)

What So Not & Toto -- We Keep on Running [Electronic/Rock] (2018)

Rowland S. Howard - The Golden Age of Bloodshed [post-punk/no wave] (2009)

Palmer Squares - Beat it up [HipHop/Rap]

Kraków Loves Adana - American Boy [Synthpop] (2018)

Popjustice

NONONO’s new one is v excellent and here’s the video

New Music Friday: all hail Let’s Eat Grandma’s miniature pop symphony

Paloma Faith’s branded content is better than your branded content

Saluting the artwork for PRETTYMUCH’s Healthy

Louisa Johnson interview: “We went, ‘oh, fuck it, let’s just get drunk’”

Reddit Music

What was the first song you ever heard by what would later become your favorite artist?

Jack White's new album "Boarding House Reach" is out.

Barenaked Ladies - One Week [Pop Rock]

Madonna - Material Girl [Pop]

Joe Satriani - Surfing With The Alien [instrumental rock]

Rolling Stone

'Weird Al' Yankovic's 'Vanity Tour' Brings Rarities, Surprises To New York

Watch Jack White's Surreal, Color-Coded 'Over and Over and Over' Video

Great Albums from Guided By Voices, Superchunk and Yo La Tengo Prove Nineties Indie-Rock is Alive as Ever

Ringo Starr Adds U.S. Dates to All Starr Band Tour

Review: Jack White Messes with Identity and Rock History on the Endearingly Weird, Surprisingly Relevant 'Boarding House Reach'

Slipped Disc

The night Pogorelich paralysed Carnegie Hall

Oh, Canada! Montreal will open Salzburg Festival

Ball’s up at Classic Brits

Isaac Stern told me: play big – bigger than life

Danielle De Niese: I was protected from #MeToo

Spotify Blog

Spotify Launches Integration with New and Existing Cadillac Models

Spotify Launches ‘Louder Together’ with First Multi-Artist Spotify Single Collaboration from Independent Stars Sasha Sloan, Nina Nesbitt and Charlotte Lawrence

Spotify Launches Self-Serve Advertising Platform in the UK and Canada

Spotify Announces Launch of Line-In

John Hancock and Spotify Give Runners Everywhere Access to Custom Playlists and Tips from Some of the World’s Fastest Marathoners

We Are the Music Makers

/r/WeAreTheMusicMakers Weekend Collaboration Thread

/r/WeAreTheMusicMakers Friday Feedback Thread

WARNING: Never give Ultimate Guitar access to your funds!! The site is a scam that will keep charging you forever!!!

What would you recommend for a DIY ambient electronic artist to get the most out of an album release? DIY, try to get on a label, etc, Facebook ads, etc.?

Mixing 'Breath Levels' Experiment for University

#music

0 notes

onestowatch · 5 years ago

Text

Madeleine Mayi Is a Rising Indie Rocker With a Penchant for Sad Songs [Q&A]

Released on Valentine's Day, Mayi returns to music with her latest track, "love me." A plea for unconditional love during a particularly difficult period of her life, "love me" reveals Mayi at her most vulnerable. To the songwriter, "love me is about learning to love yourself in the dark times – the song is meant to be a spot of light in the darkness." Blending fleeting moments of optimism with honest, heartfelt ballad construction, "love me" is a quiet masterpiece. For fans of Daughter and Phoebe Bridgers, the track features raw, lo-fi guitar and subdued vocals with minimal hints of psychedelia.

Ones to Watch had a chance to talk to Mayi about her upcoming debut album, her inspirations, and why she chose to release this track on Valentine's Day specifically.

Ones To Watch: I was a big fan of your last project, the self-produced “shy” EP. What was the process of putting together "love me?" Did you work alone or collaborate with anyone?

Madeleine Mayi: “love me” is actually the first song that I have ever released that I didn’t write all on my own. I wrote this song with my homie Matt DiMona who I love very much. I am usually a solo flyer, but for this upcoming project, I wanted to stretch myself creatively and try something I hadn’t done before. This is the only song on the record that I wrote with someone else. I also worked with my good friend Dani as a co-producer on “shy” and on “love me” as well.

I love how you described the single, "love me," as being about "learning to love yourself in the dark times." Is this a theme we can expect to see across the upcoming album as well?

Yeah – that is definitely a narrative throughout the album, but the overall themes of the album are love and loss. The overarching story is about a character losing someone close to them and responding to it. “love me” is a song towards the end of the record where the character has gone through the worst of their grief and finally decides to be open to love again; the first place to start is with yourself.

Which track on your upcoming album are you most excited about and why?

Hm, I don’t know. I'm excited because I am getting a little more into the rock corner of music and am excited to release those tracks... but right now it’s gotta be “love me.”

It seems that the colors and aesthetics you choose to accompany each project are very deliberate. From your early tracks having black-and-white art to “shy” featuring these vibrant oranges and pinks. How important are visuals to your music?

Visuals are very important to my music but I think that attitude has developed over time. I worked with a friend who I consider a visual genius on “shy”, and she taught me to appreciate that angle and use it in a way that expands my vision in a different way. ”shy” was lighter because the textures of the record were very simple (on purpose), so it felt right to fill in some of that negative space with color. With "love me," the visuals are darker and more lonely feeling, which very much reflects the narrative of the record. I actually gain a lot of my inspiration from visual art - Barbara Kruger and Rothko are good examples. Music has always been my go-to medium, but all art forms inspire me.

Why did you choose Valentine's day to release "love me?" Is there any significance to it?

There's actually a lot of significance. My whole album is based on my Valentine’s Day in 2019. I was supposed to play a show that night, but a few days before a family friend unexpectedly passed away. Her funeral ended up being on Valentine’s Day in the morning, and I was considering canceling the show but my mom convinced me not to. It ended up being one of my best shows ever. It was just the craziest day of highs and lows... So yeah, this whole record is based on a lot of what I felt on that day.

Who are some artists that have really inspired you while working on this upcoming project?

I think this single is the first song where I feel that I have really arrived at my sound. I don’t know exactly how to describe it, but I think a lot of this has been brewing inside for a while and now it’s finally coming out. For this record, I have been really inspired by The White Stripes, The Stones, Snail Mail, Phoebe Bridgers, etc.

Who are your Ones to Watch?

My friend Erez is killing and my friend Jessi Mason as well. I think Beck Pete is rad and also my friend Hong Kong Boyfriend. Ginger Root, and Hayden Everett.

youtube

#madeleine mayi #love me #interview #indie #indie rock #singer songwriter

0 notes

jmsa1287 · 8 years ago

Text

A Year in Review: The 50 Best Albums of 2016 (20-1)

A continuation of my favorite albums of 2016. Click here to check 50-21 and below find the top 20.

20. Drake - Views

Drake’s Views isn’t the magnum opus he hoped it’d be. Nevertheless, Views is a massive and impressive effort, finding Drake at his best and his worst. With 20 tracks, Views Drake throws a lot at the wall, allowing fans to curate their own version of the album.

19. Postiljonen - Reverie

Swedish dream pop band Postiljonen return with Reverie -- a record that’s not an evolution but a sound the trio has perfected. Full of sweet nostalgia and etherial synths, Reverie is a solid album built on Postiljonen’s strengths.

18. Maren Morris - Hero

Maren Morris’s studio debut Hero is spunky, confidant and fun. Never becoming preachy or silly, Morris’s new batch of music puts her in the same league as Kacey Musgraves and an early Taylor Swift.

17. Yumi Zouma - Yoncalla

Bursting with sunshine and delightfully beautiful, dream pop band Yumi Zouma’s debut LP Yoncalla is a wonderful love letter to dream pop and Swedish acts like Air France and The Tough Alliance.

16. Tiffany - I Just Wanna Dance

After having a hugely successful career as one of the members of the iconic K-pop girl group Girls’ Generation, Tiffany Hwang branched out in 2016 with an incredible solo effort I Just Wanna Dance. A mini-album that is jam-packed with lush pop and dance singles, rivaling Western stars like Ariana Grande and Katy Perry.

15. Various Artists - La La Land Official Soundtrack

It’s only fitting the best film of 2016, La La Land, has some of the best music of the year as well. Stars Ryan Gosling and Emma Stone might not be the best vocalists Hollywood has to offer -- but that’s not the point. The musical’s OST features the film’s vibrant songs, including stand outs “City of Stars” and “Someone In the Crowd.”

14. METAFIVE - Meta

For fans of Japanese 80s pop, METAFIVE’s debut Meta is a spectacular record. Comprised of members from groundbreaking '80s Japanese acts, Meta is an ode to the music the men once made. The album is an excellent piece of music that is not only inspired by modern funk and '80s J-pop, but also borrows from sophisti-pop, It's an interesting blend of music coming from some of the most talented and smartest musicians Japan has to offer.

13. Ariana Grande - Dangerous Woman

Ariana Grande continues to satisfy on her third album Dangerous Woman. It’s her third album in four years, but on her latest effort, Grande has never sounded better or more daring. Dangerous Woman has some of the singer’s best singles to date, proving Grande is here to stay.

12. Britney Spears - Glory

It might be easy to write off a Britney Spears record in 2016 -- considering the abysmal Britney Jean in 2013. But Brit’s return with Glory is more than just a quick paycheck and it is the pop icon’s best record since Circus. With its moody cohesion and well-structured songs, Glory doesn’t have many missteps. A solid record from a performer near and dear to pop culture’s cold heart.

11. BLACKPINK - Square One / Square Two EPs

One of the most dynamic new K-pop groups, BLACKPINK’s two EPs, Square One and Square Two, are a thrill ride. Though the EPs have a combined total of just five songs, the records are an exciting offering and feature some of the best songs of the year. Anyone listening to BLACKPINK should excited for what foursome have to offer in 2017.

10. M83 - Junk

It is understandably no easy task to follow up a breakthrough album that launches a musician's career. M83's Anthony Gonzalez has been making cinematically nostalgic and epic music since the early 00s. After crossing over in 2011 with Hurry Up, We're Dreaming and the single "Midnight City," Gonzalez's latest album Junk is a direct response to fame: He hates it. Junk is a fascinating album that purposefully sets out to sound bad (the album title is Junk after all), finding the French band taking on 80s trends like muzak, corny sitcom theme songs, and trashy euro dance bangers. But Gonzalez and co. pull it off, making Junk an enjoyable album with some incredible jams.

09. How to Dress Well - Care

How to Dress Well's Tom Krell has fully embraced his sound and his wonderful voice. On Care, Krell, who started off his career blending R&B with lo-fi experimental music, incorporates current pop trends, like EDM and tropical house, into his moving odes of love and loss. Once tucking his falsetto behind a blanket of reverb and synthy production, Krell now puts his voice front and center, which is accompanied by a hi-fi and clear production.

With help from artists like Fun's Jack Antonoff (Taylor Swift, Carly Rae Jepsen, Tegan and Sara, Grimes), indie musician CFCF and dancehall producer Dre Skull, Care has more in common with Justin Bieber's Purpose than Burial's Untrue.

08. The Radio Dept. - Running Out of Love

The Radio Dept. has been absent for far too long: Running Out of Love is the Swedish indie-rock band's first album in six years. And the new album proves to be a magnificent return and well worth the wait. Lead single "Occupied" is an epic way to come back. Clocking in at seven minutes, the brooding song samples the iconic dark synths from Angelo Badalamenti's Twin Peaks "Laura Palmer's Theme." On the hypnotic "Swedish Guns," the band opts for a slight reggae tinge but holds on to their jangly guitars, making the song an interesting blend of old and new.

Unlike some dream pop and shoegaze acts, the Radio Dept., comprising members Johan Duncanson and Martin Carlberg, put time into crafting their lyrics, even though their vocals are often buried in the mix or blanketed in fuzzy reverb. The band has always been political, and things are no different on Running Out of Love.

07. The 1975 - I like it when you sleep, for you are so beautiful yet so unaware of it

When the British band the 1975 first burst onto the scene, they were a joke: With songs named "Sex" and "Girls," the group wasn't taken seriously. But their sophomore album I like it when you sleep, for you are so beautiful yet so unaware of it is undeniable, showing the 1975 is more than a novelty.

Emulating music from the 80s is something every pop musician seems to do. But its something few artists get correct. The 1975 impeccably call on a wide range of artists, including Price, David Bowie, My Bloody Valentine and Janet Jackson. I like it... is full of stellar songs, like "The Sound," "A Change of Heart," and "Paris," all of which carry an emotional heft with brazen lyrics: "Mr. Serotonin Man, lend me a gram /You call yourself a friend?/I got two left feet and I'm starting to cheat/On my girlfriend again."

06. Terror Jr - Bop City

Sometimes music just needs to be addictive and catchy. Not every song needs to carry the social commentary of a Beyonce song or needs to be game-changing like a string of Drake singles. Terror Jr's Bop City is a collection of fun pop songs that run away with PC Music's subversive take on Top 40. The mysterious trio, which may or may not feature Kylie Jenner, blend trap, electro and a dash of Lana Del Rey to create a minimalist pop album that's sexy and intriguing; a rare combination.

05. Carly Rae Jepsen - Emotion: Side B

Only Carly Rae Jepsen, one of pop music's most interesting and daring artists, can release a throw away collection of B-sides that's actually one of the best albums of the year. The leftovers from Emotion, the best album of 2015, thrive in their own space and sound anything but toss-offs. Side B shows Jepsen's range; in one moment she's Cyndi Lauper and in the next, she's channeling a-ha. If Side B is a gathering of songs left on the cutting room floor, I can't imagine what she'll delver on her next album.

04. David Bowie - Blackstar

David Bowie's final album Blackstar will go down in music history. His farewell album might be about the iconic singer leaving Earth but it sounds full of life, offering Bowie's most interest and exciting music in decades. It thrives with creative ideas, proving Bowie was taken from us too soon. From the hypnotic acid-jazz title track to the devastating final song "I Can't Give Everything Away," Blackstar celebrates Bowie's life with his death. It's a mind-blowing statement that could only be pulled off by one of the best musicians to ever live.

03. Beyonce - Lemonade

Beyonce exists in a realm of her own. She doesn't compete with anyone; she's no longer even a pop star - she's her own genre and her own medium.

Lemonade is the second visual album from Beyonce, which first debuted as a film on HBO earlier this year. Listening to the album, Lemonade is about one woman's journey as she learns about, processes and, eventually accepts and moves on from her husband's infidelities. But watching Lemonade, Beyonce frames her music in a completely different way, showing that her struggle is one that several women - especially women of color - have endured for generations.

Politically charged, emotionally gripping and relentlessly beautiful, Lemonade is one of the most confidant and powerful records of the last decade.

02. ANOHNI - Hopelessness

ANOHNI's Hopelessness is one of the pieces of art that has taken on a stronger meaning in the wake of Donald Trump becoming the next president of the United States. Her album is critical of a number of hot button issues, ranging from human rights to climate change. (One song, aptly titled "Obama," sharply criticizes the outgoing president for not carrying out the promises of hope he championed during his 2008 campaign.)

Hopelessness is a complex electronic record, politically fueled and remarkably dark. With her signature striking vocals, Hopelessness is a culmination of frustrations and protests backed by waves of experimental electronic music from producers Hudson Mohawke and Oneohtrix Point Never.

01. Kanye West - The Life of Pablo

The Life of Pablo is an album stitched together with brilliant moments. There really isn't one full song that's perfect from start to finish (except maybe the house-infused "Fade"). Instead, Kanye West gives us the perfect album for the social media age: An album that feels endless, ongoing and always evolving - West was still adding songs to TLOP months after the album was "officially" released.

West gave his fans a behind-the-scenes look on how his music is made: A frantic, 11th hour method that was more like a college student finishing a term paper the night before its due date than a genius crafting a masterpiece. Sharing manic updates via Twitter, West gave glimpses of his album, which changed titles three times and had a track listing that continued to grow. In the end, however, TLOP is West's most joyous work: It's a huge party and everyone is invited.

2 notes · View notes